Experimental prompts

Experimental

160 prompts

$black and white studio product photograph, low angle looking slightly upward at a delicate thin-walled blown-glass wine goblet with a slender stem standing on the corner edge of a rough grey concrete breeze block, the block's upper face dusted with fine grit and pitted with air holes, its front face falling into deep unlit shadow with a rectangular hollow opening cut through it, a second identical goblet lying on its side inside that dark cavity catching a sliver of light, hard directional key light raking from the upper left so the block's edges are sharply defined and the goblet throws delicate thin caustic refraction across the concrete surface, flat pale grey seamless background, no colour anywhere, high contrast monochrome, fine grain, high micro-detail in the aggregate texture and thin glass rim, minimal brutalist still life --chaos 10 --ar 3:4 --seed 4281568165 --exp 100 --raw --sref https://s.mj.run/jApYhf8zW2M --profile 73hh66z --weird 5 --hd --v 8.2$

$close-up product photograph, camera positioned slightly above eye-level looking down at a mild angle onto the concrete block's top corner, standard lens around 50mm, medium depth of field keeping both glasses in focus, off-center composition with the block positioned left-of-frame, a finely vertically-ribbed transparent glass tumbler with a wide flared mouth resting on the top edge of a rough broken grey concrete block, a second identical ribbed glass tumbler lying on its side visible through a dark hollow opening in the concrete block's lower right, soft even studio lighting from upper left casting fine vertical ribbed shadow lines and light refractions onto the concrete surface, neutral light-grey gradient background lightening toward the upper right, entirely monochrome grayscale palette from near-black concrete shadow to pale grey-white background --chaos 10 --ar 3:4 --exp 10 --raw --profile 73hh66z --weird 5 --v 8.2$

$black and white studio product photograph, overhead top-down angle looking straight down onto a heavy faceted crystal tumbler with sharp angular cut sides resting on the corner edge of a rough grey concrete breeze block, the block's upper face dusted with fine grit and pitted with air holes, a rectangular hollow opening cut through the block below revealing a second identical faceted glass lying on its side inside the dark cavity, hard directional key light raking across the scene casting sharp geometric shadows and bright angular caustic refraction across the concrete surface, flat pale grey seamless background, no colour anywhere, high contrast monochrome, fine grain, high micro-detail in the aggregate texture and faceted glass edges, minimal brutalist still life --chaos 10 --ar 3:4 --seed 3352852313 --exp 100 --raw --sref https://s.mj.run/jApYhf8zW2M --profile 73hh66z --weird 5 --hd --v 8.2$

$black and white studio product photograph, extreme close-up side angle with shallow depth of field on a thick chunky glass tumbler covered in raised hobnail bumps resting on the corner edge of a rough grey concrete breeze block, the block's textured surface filling much of the frame, a rectangular hollow opening cut through the block partially visible with a second hobnail glass lying on its side inside the dark cavity, hard directional key light raking from the upper left so the concrete's aggregate texture is sharply defined and the glass throws scattered dappled caustic refraction across the surface, flat pale grey seamless background, no colour anywhere, high contrast monochrome, fine grain, high micro-detail, minimal brutalist still life --chaos 10 --ar 3:4 --seed 3828559717 --exp 100 --raw --sref https://s.mj.run/jApYhf8zW2M --profile 73hh66z --weird 5 --hd --v 8.2$

panning shot of a blurry female silhouette, motion blur, soft focus, film grain, against a lavender gradient background --chaos 10 --ar 4:5 --raw --stylize 1000 --v 8.1

That's all. For now.